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Showing posts with label April. Show all posts
Showing posts with label April. Show all posts

The Show Must Go On - Editorial

By Sahil Mehta


Yep, I’m back to bug you with an editorial yet again. I donno about you but it feels nice to be finally sitting down to write this, the final piece in the jigsaw. It’s been a long overdue issue. I have learnt much in this time. 

William Shakespeare (Yes. Again!) wrote 
 All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,

Clichéd naa? But true nevertheless. If you look around you and search for meaning and reasons as to why things happen, you’ll just end up confused. Sometimes, when “why?” doesn’t have an answer, it’s best to remind yourself of Shakespeare’s lines and get a move on. 

But there is more than just Shakespeare and his philosophy to showbiz. Acting is a very powerful and creative medium. Stage plays, or good ones at least, have that innate ability to draw you in to the character, to feel the emotion that goes through him, to quiver in their roars and cry with their grief. And stage plays more often than not tackle daily life issues and problems in a way we connect with them. If nothing else, they are genuinely a fantastic source of entertainment. I’m just 21, and I haven’t seen that many plays but I remember all the ones that I have seen. 

Then there is the thrill on being on stage, of acting, of having the spotlight on you! But is it really possible to pretend to someone else? I don’t think so. I think all the greatest performances, whether on stage or on screen, have been when the actors became one with the character. Acting is more than just memorizing and reading a few lines in a particular manner. It’s just not possible to pretend to be someone else without believing yourself to be them. And this holds true not just for people on stage but even for people who pretend in real life. 

But there is more to showbiz than just acting or performing. And the “biz” part of it hasn’t been put there for semantics. Art, like everything else, too has been influenced and corrupted by the influence of commercialization and consumerism. Television, in particular has undergone a drastic change in the last few years. We’ve gone from making nice family comedy shows to first insanely stupid and impossibly tragic “saans-bahu” dramas and now degraded it further (never thought it would be possible) by getting people to make a fool out of themselves in the form of reality shows! While often humorous for their stark stupidity and blatant scripting, reality shows sadly bring out a dark, perverted side of the Indian society. A society which has too much idle time and dangerously high voyeuristic tendencies.  

Ah well! It is what it is. The solution lies with us too; in finding a form of entertainment which does not feed of the tragedies and misfortunes of other people’s lives on TV. 

But the most important thing about Showbiz, the one lesson to take, one that I’ve learnt the hard way, is that The Show Must Go On. You cannot stop and weep for what is lost in life, just like you cannot stop on a fumbled dialogue on stage. Time doesn’t stop and the audience is waiting. Just play your part as well as you can and revel in the applause at your curtain call!

All The World's A Stage

By Roopak Khandekar

The curtains open up before your eyes
Your eyes meet the eager eyes of the crowd
You let the sights and the sounds sink in
And try to figure out what’s happening around

Minute by minute, the drama begins to unfold
You get shaped by the people and the things around you
For human clay they act as a mould
Give you a shape to take you through

All the world is a stage
And your life is just another role in the play
The script is not known, you perform extempore
As the drama unfolds day by day

The sets keep changing; characters come and go
As your role gradually gathers flow
The sets keep changing; characters come and go by
As you explore the world of the how, the what, the why

You really don’t know how much in focus you are
You don’t know about the keenness of others’ glances
But instinct urges you to outdo others or at least be at par
So that you don’t regret missing some chances

Some characters firmly stick with you throughout your whole act
Characters who’ll spoil their roles to keep yours intact
You return their favors by returning their support
Your chemistry keeps you standing tall like the mightiest of forts
New characters join in the play, you show them around
Just like the ones who ensured that you started off safe and sound
But they aren’t the only ones who need to be shaped and to learn…
You should be prepared; you never know which way things may turn

All the world is a stage
and your life is just another role in the play
The script is not known, you’re performance extempore
as the drama unfolds day by day

If you waste all those joules for nothing,
You’re forgotten way before the curtains fall
But if you steer others’ play along a better way,
You’ll sign off still standing tall.

Kalatapasvi

By SuryaTej Borra


The world today just runs on money and business .Theatre and films are also no exception to it. This has led to the degradation of the fundamental philosophy of fine arts which is appreciation. But we can still be fortunate that the film industry has off the beat and art film makers. In this genre the first person I would remember would be Padmashri K Vishwanath. His movies are personification of Classical Indian Fine Arts.It is to the extent that he was conferred the title “Kalatapsvi” which means “ One who treats arts as divine.” Each movie of his is a masterpiece and a milestone in the Indian Cinema. Each movie unveils to us an glittering splendor of Indian Art and Culture. This art icon has 10 National Awards, 12 Filmfare Awards and 10 Andhra Pradesh State Awards to his name. His movie “ Swatimuthyam” was India’s official entry into Oscars in 1986. He won innumerous accolades in many International Film Festivals. South Indian maestro Kamal Hassan himself termed K Vishwanath as a legend and a mangnum opus filmmaker. Here are some of his films which are worth mentioning through the timeline:

1. Sankarabharanam (1978):  “Sanakarabharanam”  is a famous Carnatic  Raga. This movie depicts the life and music of a famous Carnatic vocalist who is an authority in this raga. It also quietly depicts the life of a dancer who treats him like his Guru. The movie brings to light the affinity of the Indian society towards Western Music and Dance and consequent negligence of the traditional arts. The movie brings to light the stories of many people who have a struggling life financially who are musicians. It brings to life the passion and dedication the artists show to music. Box office records say that this movie ran for a full house for 2 years continuously.

2. Sagara Sangamam (1984): Kamal Hassan once said that his best performance is his role in Sagarasangamam. This movie soulfully narrates the life of a dancer who never gets recognition for his talent and desire. The movie also depicts dance as an emotion of human life and existence. Each dance recital in this movie is just picture perfect. The scene in which Kamal Hassan depicts all the 8 forms of Indian Classical Dance is just marvelous.


3. Sirivennela (1986) : This movie is a case study and a research work in many film schools all over India. Sirivennela is a soft silent story of a blind flute artist and his life. Each song of this movie is still performed by many artists in concerts till date.In this movie music is shown as the love and romance between the hero and his ladylove. Many heart touching scenes and eye watering scene which make the movie a benchamark of filmmaking. Hghlights of the movie include flute recitals by Hari Prasad Chourasia.

4.    Swarnakamalam (1988) :
The movie brings to life the perceptions people posess with respect to arts in the contemporary society. The plot of the movie revolves around an young teenaged girl who is born in family of dancers but hates dancing owing to the her desire for material desires.  The rest of the story is how she realizes the greatness of dance  through the hero who loves her and her dance.

5.    Swathi kiranam (1992) : The movie speaks about different types of people who practice and patronise art. The movie depicts the contrast of people who treat art as their mother and at the same time people who use art as a source of money. The movie narrates the story of a nationally acclaimed vocalist who has appreciable levels of ego and self-esteem and believes that he is the best. One of his disciples who is a prodigy in music becomes a victim of his attitude and commits suicide. Then the vocalist realizes that he is a novice . The standout scene of the movie is the climax scene in which the Singer goes to a music  school and starts his journey with music all over again.

I would rather end it this way. “Each of the movies of K Vishwanath is a pearl in a necklace gifted to the Divine”

S#it Happens!

By Kartheik Iyer
 

There comes a time in every man (or woman, we’re not discriminating here), when he is left with only one thought in his mind. ‘Oh. Shit.’

Now, discussing the gamut of peristaltic implications of this statement is not the topic of this discussion. After a long time, we finally have both the time and the inclination to write again, so, O’ imaginary audience, stay glued to your seats.

A latin writer/philosopher, rather crude in his representation of strata curricula, remarked, ‘ma gavte la nata’, which, with the most liberal of translations, comes out to mean, please remove the cork. He alludes to the phenomenon of a pompous individual, who, for all intents and reasons, is an excellent chap, yet insufferable, were it not for a cork stuck in his sphincter. Upon decorking, he would deflate and return to being his usual amicable self. But I digress. Where were we?

Oh, yes. We were to talk (a rather witty monologue, actually) about how the worst of things happens to the best of people. Yes, I know all of you are sitting in front of your screens and nodding sagely at this point. The law of averages decrees that all humans are equal. So, if you are a rotten, valueless, shifty-eyed chap, nature will try to correct its mistake by giving you booze, money and power. If, on the other hand, you a re hardworking, honest, ethical and well mannered,(he’s talking about me, you think) nature shalt make you fat, short and ugly, and decree that thou shalt never get that taxi when you need it.(or that train, bus, auto, chocolate ice-cream, girlfriend, assorted bonus vouchers, or a free sample at that new mall, for that matter).

Now, we come to the philosophical component of it. Shit, they say, happens even to the best of people. ‘They’ were slightly off. Shit seems to happen only to the best of people. How else, indeed, can you explain why all those supervillains, villains, and even that nosy noisy chap who lives down the street, maintain a look of perennial constipation upon their erstwhile mugs? Poor guys live their entire lives in the darkness of ignorance, not knowing, not realizing, that the best laxative is granted, the moment that they embrace the light.

Other etymological considerations lead to obtuse references. For example, the light at the end of the tunnel, seems to make more sense now, does it not? Other notaries on this unworthy list would include, a shot in the dark (notice this is a hero’s last resort), pissing me off (rather obvious), a miss is as good as a mile (Shakespearean, can you believe it?), all that glitters is not gold (another ‘speare effort), all things must pass (Shakespeare, by now, strikes me as an absolute fanatic), woe is me, and last and greatest, it is better to give than to receive.

If you believe that these are out of context, visualize them when you next feel the need for a laxative. Remember, I do not cast these pearls for swine.
.
Rant #2 – yours truly. not.

Obviously Dead


You, the ugly, the impaired, beauty all there, learn to kiss yourself
You, impatient for new shoes, a reset button may be, learn to love your pair

Off with your clothes and in front of a mirror, stand naked to yourself for once
Judge not the curves, fear not the not-so-straight lines, question not their intersections

You, oblivious to all inspections, smile at how beautiful you are, yes
But let the simplest version of perception, laugh at your imperfection

You, the dull blue t-shirt in your closet, you are but your disrespected decision
Shunned to the point, it doesn’t want to fit you anymore; you are but your pseudo version

You wake up, yes, but wide eyed with words that rhyme,
With winning the fight, bridging the gaps all the time
You dream, yes, but only of becoming someone else,
Unabridged, no one is, revel in the incompleteness

You, the cold, the cadaverously unaware, life all there, but you say they blindly misread
And this time, for once, blame yourself, for it’s your own eyes that you’ve shed,
You, at your best, are still obviously dead……………

Land Of Constant Rememberance

By Karthik Gala


 In the depths of India’s untarnished rural landscape is found a lifestyle long forgotten. It mimics a way of living which most of us can associate only with a known fictional world such as Malgudi, as it would seem absolutely absurd to imagine such a place in existence. Interestingly, places such as these are home to the majority of our countrymen. The people staying here are untouched by our tainted words of cynicism or our scarred thoughts that have never known innocence. Conversations among children here do not contain irrelevant imperative references to recently bought gadgets that result in a tussle of power with the monetary value of these items as the arbiter. It is a land of utopia where dreams are unchecked by the evil hands of Conformity, and hopes are not thwarted by the corrupted fangs of Rationality.

I was forced into a state of retrospection when I was interacting with a few teachers and students from a high school in Bhuj, Kutch. The enormity of the terrible earthquake in that area had not shaken their resolve; if anything, they emerged stronger, with a renewed sense of enthusiasm that was all-pervasive. Talking with these people resulted in a strange revelation: these young men and women had not been converted by the looming fear of failure. Because of their proximity to the India-Pakistan border, most of them opted for careers in the army, as doctors, engineers, analysts and army officials. Some of their success stories astounded me. Ominous future possibilities held no meaning for them. They never gave a thought to the dangers of the profession they were about to venture into. All they cared was to serve their country and be a part of the ever-present change, and to carve for themselves a niche in the annals of history for being a monumental cause in the process. The commendable aspect of their outlook was their undying resolve to achieve what they wanted, unblemished by any form of pessimism. They made for an outstanding example of new-age citizens, sans the amenities that we take for granted in our urban lives. These underprivileged children taught me how to realize my aspirations so as to be a true hero in my own eyes, as well as others.

We want many things to happen. We want our work hours to be shorter and our weekends to be longer. We would like our road traffic to be equipped with a futuristic concept of easy travel, like teleportation. We long for short queues at the banks as well as the movie theatres. We dream of world peace. The only problem faced is the realization of our aim. Rarely do we ever strive to achieve these goals. We keep waiting for someone to come and lead the way, to be the torchbearer on our journey towards a better tomorrow. If only we paused for a moment to think, the truth will inadvertently dawn upon us that the people in the frontlines are no different from us. We too can champion a cause, if we cast away the cape of self-reproach, and assume a positive approach towards our goals. Our efforts need not be a travesty of hope; we can be the people bringing about the much-needed change. 

Money is the least of the concerns to the people fighting the actual battle. So are the spoils of war, and all the accolades and post-victory reveling. The only thing that a true warrior ever lusts for is to be remembered long after the fight, as someone who made a difference in its outcome. His goal is to achieve martyrdom, and forever rest in the elusive land of constant remembrance.

And The Oscar Goes To...

By Nishant Boorla

 The Academy Awards were given out not too long ago amidst much fanfare. Kodak Theater was packed with the who's who of film-dom all curious to bear witness to the eccentricities of the Academy. You see of late all those who know their movies have been losing faith in the Academy. The Golden Globe ceremony, once considered the poor man's Oscar party is now being given a lot more respect in tandem with the decaying levels of respect for the Academy Awards.

Let's have a quick little recap. When the trailers for Inception broke out on the internet people went nuts. It was unlike anything they had ever seen before. The trailers were ably supported by a marketing blitz the likes of which fans of the Batman franchise will be familiar with. The Marketing team behind Inception took Viral marketing to a whole new level and ended up generating enough hype for the film to put up solid opening numbers at the Box Office. The movie itself surpassed everyone's expectations and impressed one and all while taking home sweet collections. Job well done Chris Nolan. But it didn't end there. The critics found it mighty impressive and thus began Oscar talk. It was the best film out at the time and most thought it was a likely contender for best picture. But that was months before December and everyone knows December is Indie season. Inception was released at a time when most big studios bring out their big budget all nonsense movies. No Indie maker would dare to release his film against a studio backed biggie. In comes December. The month of Indies and meaningful cinema. Not too many Big Budget studio projects to compete with which means the Indie makers stand a chance to make some money of their own. Let me add here that Avatar was released in the middle of Indie season wiping out every film that it took on.

Right then, Indie season. 127 Hours, The King's Speech, The Social Network and The Fighter all released within relatively short intervals of time. All mighty fine films. The films were neatly categorized. The fighter would take home the acting honours for the supporting roles. The Social Network which is flawless in every respect would definitely have the edge over Inception and finally Colin Firth would walk away with the Best Actor trophy. Point to be noted: Colin Firth was a sure shot winner even before his film released. Most of us movie fanatics had read the screenplay beforehand and we knew the screenplay required the actor to have a cyclone of emotions within him and somehow convey that to the viewers without articulation. No over-acting like Mathew McConaghisdgwew or however his name's written! Who better to portray subdued emotions and torment than Colin Firth. There are those who firmly believe Firth was robbed of an Oscar last year for his outstanding performance in A Single Man. Jeff Bridges went home with more of a lifetime achievement award than an actual best actor award. Firth winning this year was as certain as an Indian batting collapse in a power play! But there was nothing definite about the race for Best Actress.
Enter: Black Swan. Darren Aranofsky has over the years built up quite a reputation as a skilled maker of intriguing films. His claim to fame being “Requiem for a Dream” - a film considered by many as the greatest drug oriented movie of all time. The only perceived as competition to it is “Trainspotting” by Danny Boyle. And they both were contenders for Best Director! More on that later. Black Swan is the kind of gritty movie we've come to expect from Aranofsky. Anyone who has watched The Wrestler will know how Aranofsky brings the best out of his actors. That's all his movies are about. Great acting, slick direction and razor sharp editing. What he did with Mickey Rourke he achieved with Natalie Portman. He put her back on the map. Under Aranofksy's able guidance Portman excelled and delivered her greatest performance and really the only performance of her's that was taken seriously post “Leon: The Professional”!!
As soon as I finished watching Black Swan the first time around I knew we had a lock for Best Actress. It's just one of those things. Like Heath Ledger in The Dark Knight or Christoph Waltz in Inglorious Basterds you just knew Portman's performance was one of a kind.

Before I move on, the Oscar for Best Animated Film was a foregone conclusion the moment Pixar announced they were going to make Toy Story 3.
This brings me to the hottest Best Picture debate since “Chicago” beat “Gangs of New York” and “The Pianist” in 2002. In what wasn't much of a shock to those who've been following the Oscars for a few years, “The King’s Speech” prevailed over “The Social Network” and a bunch of other films. Although this wasn't as ludicrous as the Academy picking "Shakespeare In Love" over "Saving Private Ryan" in 1998 (yes that happened) it still left a bad taste in the mouth. But as I mentioned, it didn't come as a shock to those familiar with the vagaries of the Academy voters. Here's a short summary:
Box office behemoth aside, “Avatar” was a path-breaking achievement in film making. By far the better film over “The Hurt Locker”.
But on the side you have Avatar. A movie set to redefine the way films are made, viewed and marketed. 3D. Stunning. Motion capture.
"Does that mean a few years down the line we won't need actors anymore?"
The movie was too cutting edge, too incredibly advanced for the Academy to take a liking to. And it never helps a film's chances at the Oscars if the US Army loses its battle.

On the other hand - The Hurt Locker. American Army. Iraq. An army man's struggle and his grit. Indie. All the right buzzwords.
Ding Ding Ding....and the Oscar goes to.....
This year:
The Social Network. Cutting edge. New age. Facebook. Slick editing that drove home every emotion. Refreshing background score unlike anything we've heard in recent times. Direction that made routine courtroom scenes seem like The Battle of Normandy. Great acting, and above all the best adapted screenplay by far this year. Facebook.
As opposed to:
The King's Speech. British. A Monarch's tale. Feel Good. Lead Character overcomes impediment. Classical production values. No innovative editing. Far fewer tongue slashing retorts. Old School. British.
Now if we eliminate all the other key words and phrases what we are left with is new age Facebook movie versus Old school tale of British Monarchy.
And the Oscar went to......

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Nishant Boorla
Sarcasm means the world to me. Yeah that's always a good place to start. I watch movies...a lot of movies! Sports nut and a die hard Manchester United fan. Highly opinionated and that shows in my articles.


Strength Of Character


 Ever wondered why movie stars and television actors receive so much adulation? Apart from the fact that they’re seen by people the world over and people want to get to know them, they are basically remembered for the characters they play. It might touch a chord somewhere deep down; you can perhaps  draw parallels between your life and the character’s or you’re just generally appreciative of the trajectory of the character’s development. Sometimes you wish the characters you read about would jump out from the pages and come to life! (God knows I’d like that to happen to Mr. Darcy!). I’ve decided to pay a tribute to all those well-fleshed representations of the varied and expansive human nature that have ingrained themselves into the collective consciousness.
Character maketh a man but characters often saveth the plot! It’s often seen that though the plot has gaping loopholes or is generally insipid, you tend to overlook that if the character is memorable. Really, do you think Dabangg would’ve been such a huge hit if it wasn’t for Chulbul Pandey’s eccentric personality? Often, they’re the focal point around which the plot builds itself. Take Harry Potter or Eragon for example. Notice that I do not include The Lord of the Rings here because I believe that Tolkien, genius of a man, doesn’t play favourites. Read The Two Towers if you want proof. Although the trilogy essentially follows the trials and tribulations of Frodo, it also digresses and intrudes into the lives of other characters as well. Because Frodo is just, although significant, a small patch in the vast milieu of the history of Middle Earth. 
An epiphany here: does life imitate art or does art imitate life? How many times do you say, “Pshaw! Stuff like that just happens in the movies. It’s not for real. It’s just entertainment!” But when something does happen, you say, “Woah!!!! It’s just like in the movies!!!!” My point here is, do you fall in love with the annoying guy who trails you while backpacking through Europe just because it happened to Raj and Simran in DDLJ? Or did Raj and Simran fall in love because that is something that can totally happen in real life? You’re dead-drunk, you’re Devdas. You’re drawn towards your family’s sworn enemy’s ward, you’re Romeo/Juliet. And don’t lie, how many times have you tried out the Christ Redeemer-esque scene from Titanic? Sometimes the line between real and reel blurs, or you just probably wish it did and that’s why we’re drawn towards such things.

I believe that a character can be permutations and combinations of any trait - even opposing ones - because hey, it’s human nature! It’s a choose-as-you-please from the entire gene pool. Now, have you ever wondered what would happen if you were to transpose the traits of two characters and see where it would lead them? Take cocksure, fiery, and impulsive Othello and confused, doubting, under-confident Hamlet, for instance. If Othello was more cautious and carefully weighed all his options before taking a step, like Hamlet, he wouldn’t have fallen prey to Iago’s tricks and Desdemona would’ve lived. On the other hand, if Hamlet trusted his instincts more and didn’t waste any time vacillating, he could’ve killed Claudius instantly and avoided the deaths of Ophelia, Polonius and Laertes. What a masterstroke, Shakespeare!

Nobody likes villains in real life but we absolutely worship them on celluloid. Legions of fans will swear by Dracula, Darth Vader or Voldemort. There’s just so much evil in them and they’re ‘fly’ because in the end, they get exactly what they deserve, but they go out in style while doing so. The importance of characters is not determined by the time they’re given in the story, but the impact they have on it. We’re barely just introduced to Tom Bombadil but had he entered the playing field, he would’ve sent Sauron running home to his mommy! And then there are the auxiliary characters, content with playing second fiddle or providing us with amusing digressions. Sherlock would’ve never been so brilliant, if Watson hadn’t been slow. For something to stand out, you need to place it against a foil. Sometimes they hold more interest than the main characters themselves! I, for one, would love a little more of CP3O and R2D2 instead of Luke Skywalker.

Now if you talk about character development, you can’t have them living in La-la land. They have to undergo some suffering so that they can come out against all odds. That’s what makes a Charles Dickens novel or one of those ‘Vijay’ Amitabh Bachchan movies. But sometimes writers lose track and in a bid to stretch their characters out, they end up making them a lumpy mess of putty. Don’t you wish that they speed up the story or sometimes just end the dailies they play on your TV? Viewers don’t know just how many more seasons of Gossip Girl they’ll have to watch before Blair Waldorf and Chuck Bass finally get together. But if you can do it right, then perhaps they wouldn’t mind ploughing through more seasons before Ted Mosby finally tells his kids how he met their mother.

Now no one’s perfect. Not even fictiously! It’s a cardinal rule that character’s need to have some fatal flaw that’ll make for interesting plot points. Seemingly perfect characters are alright if you are doing a satire and the author is well aware of it. But if the author himself is in denial over it, then ladies and gentlemen, we have what we call a Mary Sue. Bella Swan (yes, you were waiting for the Twilight bashing, weren’t you?) is a perfect example. She’s morose, brooding, generally disinterested with life, yet everybody at school is inexplicably attracted to her, including a vampire. Her only fault is that she trips even on flat surfaces. She says she loves Edward  to death and can sacrifice for him to any extent and the normal rules of love don’t apply to them as they’re on a higher plane but she doesn’t want to get married because she’s just not “one of those girls who gets out of high school and gets hitched”! I know I said a character can be anything but sometimes poetic license is taken to staggering levels of absurdity!

Sometimes, if you conceive a character that is well ahead of its time, it may or may not be well received. There have been books and movies that were ridiculed during their time but later went on to be heralded as classics. An estimated 50% of people who’ve read Catch 22 hate Yossarian, because they don’t get him. The other half simply loves him! I’m sure Ayn Rand must’ve caused a stir when she came out with The Fountainhead and Atlas Shrugged. I sorely wish Howard Roark, Hank Rearden, John Galt and Francisco d’Anconia were actual flesh and blood! Then you have Jane Austen. At a time when women were to be dainty, well mannered and submissive, she gave us Elizabeth Bennet and Emma Woodhouse. And if appreciation comes from Sir Walter Scott himself, that’s saying something!

Now what does this do for the actors? I said they were immortalized through the characters they play and sometimes people don’t want to remove them from that. Daniel Radcliffe shall always remain The Boy Who Lived. Elizabeth Taylor will always be remembered for Cleopatra, if not her numerous husbands. Vivien Leigh essentially is Scarlett O’Hara. When you say Audrey Hepburn, it’ll always conjure images of My Fair Lady or Roman Holiday. Brad Pitt may be excused but Tyler Durden has firmly stuck to Edward Norton. If you’re lucky, you’ll have several avatars to your credit. Edward Scissorhands, Sweeney Todd, Jack Sparrow, Willy Wonka, Mad Hatter are just a few milestones on the road of Johnny Depp’s success. And Shahrukh’s various lover boy roles. Naam toh suna hoga?

Sometimes their different incarnations compete for more fame. The following sentence is a personal opinion I wish to express. What I’m about to say may be seem blasphemous to some but maybe you’d understand why I have such a hard time accepting Marlon Brando as The Godfather if you just see A Streetcar Named Desire. But it’s not all good always. Poor Robert Pattinson, no matter how hard he tries, will never escape being Edward Cullen. Infact, people don’t even remember him as Cedric Diggory from Harry Potter! (ah well, can’t say I didn’t warn you!)

But in the end, characters really are oblivious to the dissection we subject them to because they don’t exist and they hold their own in their own universe. It’s only when we bring them out of it and into ours that they change into dynamic entities. That’s why spoofs are so popular! Making a character do what it would otherwise never do, never fails to tickle the funny bone! Imagine Voldemort asking Snape to grow a moustache because he thinks it’s cool or Batman driving a tin-pot car instead of the Bat-mobile, overwhelmed by recession. So you can fantasize having a Heathcliff pine away from you or a know-it-all butler like Jeeves solving all your problems and save you from being flummoxed. You can hate or love a character, do as you please for “Frankly my dear, they don’t give a damn!”

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Sayonee Ghosh Roy
I humbly profess to be spoilt, pampered brat with old-school upbringing. You could let me loose in a book-store and I'd never come out, except if you lure me out with coffee and Italian food.


Book Reivew - Pygmalion


By Sukanya Venkatraman 

The thing about a play is that it is essentially a conversation between people. It has none of the inconsequential beautification of the surrounding environment to give it more importance than it deserves, shifting focus only to shift it back to the protagonist in an attempt at suspense unless, of course, it is an aid to bring out the mood of the characters... in which case it’s justified. It is a rather exact portrayal of our lives, in a series of epiphanies and thinking-out-loud sessions. This is what makes a play interesting, well-moving and at the same time, difficult to write. Shaw, however, is a natural.
Pygmalion, a romance in five parts, is, in its essence, a play about different kinds of romance - the passionate Dr. Higgins and his romance with phonetics, the flower-girl Liza and her romance with the middle class’ English language, her father Mr. Doolittle and his romance with poverty, along with the gentle-hearted and good-natured Mr. Pickering, the sensible house-maid Mrs. Pearce who works for Dr. Higgins, and Dr. Higgins’ mother Mrs. Higgins. The play is beautifully written and in the series of conversations that take place, the characteristics of the conversationalists are revealed. The beauty, however, lies in the way Shaw has justified every layer of society - the poor, the middle class, and the upper middle class - without ever sounding defensive. An attempt to tell the world that people are happy the way they are, that trying to change their worlds in pursuit of betterment results in the same only in the eyes of the world, and not in theirs. However, what is the world without its series of attempts at change? One can take an instant dislike to Dr. Higgins with his chauvinism and cold-heartedness, his disregard to anyone but himself... but at our cores, don’t we all have a little of Dr. Higgins we attempt to conceal? What he is, however, is honest; which is exactly what draws one to the character.
The meeting of the various characters is so random that it is believable. One doesn’t need to make a special attempt to relate to the play, it comes naturally. Shaw’s insights into society and its ways are refreshing, albeit being a little judgmental. There are the small comments inserted in seemingly unimportant places, and then there are the long-drawn justifications. It gives one just the right amount to think about, with the periodic chuckles and smiles.
In short, a delight to read.

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Sukanya Venkataraman


Reality Shows

By Shravya Lahiri
The room is not very well lit, you feel suffocated and cornered. Try as hard as you can, but there is just no appeasing the demons. As if one of them wasn’t good enough, there were two of them. The twin shiny bald heads don’t seem quite as amusing once their owners start to make you strip, dance, cry, beg, scream…
Why are thousands of people thronging to the auditions of a show that has captions like ‘Hell Down Under’ and ‘Shortcut to hell’? Why would you agree to make a fool out of yourself on national television and push your physical, mental and emotional limits to no end? Is it the money, the fame or just the opportunity to prove your worth? Though many participants cite the third, I guess it’s the cumulative enticement of the first two that makes many reality shows awfully attractive to today’s youth. 
Those of you who follow Roadies 8 would definitely know Dev, the guy who has been auditioning in every damn city, every year, for six years! Now what would you call him- crazy, obsessive, determined, or simply possessed?
Roadies is just one among the several reality shows that have consistently been gaining popularity since the last decade. Now several channels are literally inundated with as many reality shows as soaps. Reality shows came as a refreshing change to the average Indian television viewer, who had long become accustomed to tear jerker TV serials. The inspiring display of talent, the liberating sense of achievement, the acceptance of failure, the possibility of a world where you could be whoever you want to be- all this and more captured in a reality show makes people connect well to them. Several people get carried away and forget that these programs just show “a slice of life portrayed by people who simply act like they are expected to act.”
 Some old shows like KBC and Khulja Sim Sim (my favorites as a kid!) are actually quite amazing. They award the deserving (or the lucky) and are quite exciting to watch too. Also, reality shows based on talent like Jhalak Dhiklaja, Dance India Dance, Boogie Woogie, Indian Idol, India’s Got Talent, The Great Indian Laughter Challenge etc. provide a great platform to budding artists. But, I just wish they would tone down the drama a bit. Trying to show a romantic angle between participants, or judges screaming their heads off at each other or worse still, judges breaking down while praising a performance- there is no end to what they would do to add masala to the show and shoot up the TRPS. I’m not saying all of it made up, but there is no denying the fact that some of it is. I guess, as long as it is not overdone, it is good to watch.
Some of the adventure based reality shows like Khatron Ke Khiladi and Iss Jungle Se Mughe Bachao have quite a few takers. Personally, I would rather watch some crazy guy jump through a ring of fire or down a bowl of cockroaches than endure shows like Rakhi ka Swayamvar or Big Boss. It truly amazes me how pointless and pretentious some ‘reality’ shows can get!
What some shows portray as acceptable and maybe even ‘cool’ behavior is quite alarming. The more abusive, uncouth and twisted you are, the more attention you get and the better are your chances of winning. Young and impressionable people following such shows devotedly seem to think it is alright to back stab your competitors, manipulate others and use abusive language. Shows like Splitsvilla and Truth Love Cash show dating in such a nauseating angle! ‘Couples’ pledge their undying love after being on the show for 2 days and the double standards that most participants have/portray is beyond belief. 
Though not everyone might agree, many reality shows make it a point to choose only good looking people to be a part of the show. Now, how fair that is for a show based purely on your talent or your survival skills is definitely arguable. The producers should try to be unbiased and give a great platform to the most deserving candidates. Also, I never really got this concept of viewers voting to decide who wins a reality show. Isn’t it obvious that the guy with a bigger social circle and whose friends and family try hardest to scrounge votes from everywhere would win? Then the whole point of the show is lost!
Many Indian shows are total rip offs of foreign reality shows (Most of them have copyrights). I just wish they would choose better ones to copy. Maybe shows like While You Were Out, 30 Seconds To Fame, What Not To Wear, Whose Line Is It Anyway or Project Runway.
From the look of it, Reality shows are only going to get bigger, better and glitzier. Whether you love it or you hate it, brace yourselves- because Reality TV is here to stay!

Holyday!

By Kartheik Ganesh Iyer
The long, empty corridor was long, and empty.  Slashes of vivid colouring stood stark against the peeling paint, and the whitewash beneath, a testament to events of the past, a wordless tribute to the martyrs of yesteryear. One old wooden door, slightly ajar, seemed to creak of its own volition. Apart from that, all that was still continued being still. The door, stained with a blotch of vivid crimson, now drying to a more forensic brown, creaked once more, and then opened by a fraction of an inch. A wary eye proceeded to survey the surroundings with all the caution of one who has had to grow accustomed to such surroundings, and survive. And surviving was not easy, the vultures were all well fed, and lay about on the roofs and turreted roofs, unable to move a flaccid wing until it was time for feeding again. 

And yet, today was the day of reckoning. There were no two ways about it. He stepped out, still crouched, till he appeared almost bent double, and once again surveyed his surroundings. Almost all of the doors were ajar, the rooms empty. Casualties. He sighed, and then stiffened again. Wariness was his code, and he lived by it, and it, in turn, had allowed him to live to see another day. Almost involuntarily, his hand went down to feel the reassuring bulge in his pockets, he was loaded. Although what his pittance in the way of ammunition would accomplish, he didn’t know. Or rather, he didn’t want to think about it. Once he was on the field, things would work themselves out. They always did. 

He stepped out completely. No overhead missile came at him, the range was too less, and yet, there was no shortage of trigger happy adolescents, heedlessly drawn into this merciless fray. He would have felt sad, if he had the capacity to feel anything any longer, but this was neither the time nor the place for it. With another crouching movement, he sprinted forward, his hands never leaving the vicinity of his pockets, like a quick-draw pistolero, the blisters at his feet causing him an endless amount of agony. 

He came to a bend, and paused. Not the way a truck does, when it reaches a pit stop, but like a cat being offered a fish, balancing lightly on the balls of his feet, ready to spring either way. There were two unprotected entrances, either of which could house his enemies, which, at this point, was anybody who was not him. He breathed lightly, and reassured himself. The opening would most likely be empty. Who would be lurking so far from the epicenter of activity? He turned and strafed lightly towards the bend, and then, suddenly, knew he’d made a mistake. Of course they would be there, the scavengers. Always on the lookout for easy prey. Darn it. Now, his back was turned towards them. They couldn’t have been in a better position if they’d asked him to dress up in the costume of a duck and hold a bull’s eye.

And as he stood and thought of all this, his body screamed at him to take some kind of action. Move, damnit. He felt it on his back. Aim for the biggest target, that way, you’ll take something out, even if you miss. They had taught him, and now the hunter was the prey. Desperately, he twisted away, bending at the knees and pivoting on one foot till he was level with his assailants. Something brushed past his shoulder, and burst a short distance away. He felt his shoulder being showered with the fallout, sudden warmth. With a single bound, he reached the other opening and ducked inside. He touched his shoulder, and his hand came away wet, stained with red. He was hit. He swore under his breath, and then caught himself. Never lose your cool, son.  He braced himself, and thought of what to do next.

He spotted an inside passage, the way it was leading seemed to suggest that it met the outside world at the other opening. Good, he thought grimly. This is just what he wanted. But what if they wanted him to come this way, baiting him on with no other choice, till he would find both exits closed off, and then…he did not want to think about it. He sprinted off into the darkness. 

Soon enough, he saw the light at the end of the tunnel, and the silhouette against it. Blending into the surroundings, he hoped that the silhouette was alone. With one quick movement, he snuck up on the unknown factor, and grappled him from behind. The assailant brought up another of the things he had initially used as a projectile, an oblong, green shape that he knew all too well. Was he insane? If he uses it in such confined surroundings, neither of us will survive. Desperately, he wrestled the thing away, and then spotted an entire bucket of the things lying nearby. Bloody hell. With one lunging movement, he bodily lifted up his opponent, and threw him towards the bucket, not heeding his frantic screams, and ran. The repercussions must have shaken the entire building. How did he get hold of such a crapload of firepower anyway? Something was wrong. 

As he got closer to the entrance of the building, things just seemed to get worse. The streaks of red on the wall did nothing to assuage his confidence, but he had no other choice. Whatever was in his pockets seemed pitifully inadequate now. Bodies lay on the ground, clothing tattered, faces black and blue, distorted out of all recognition. He might have even known some of them. He felt sorry that he could not feel sorry for them. Not now. 

And then he was out. The first thing that that assailed him was the awful noise. Then his eyes adjusted to the light, and the whole fray spread itself out in front of his eyes. Deadly in its intensity. He had not imagined that so many people had gotten involved in the rising. Even women and children had been dragged into it. Could nobody be spared? He darted out. If he could get the ringleaders, maybe the carnage could be reduced, some victims spared. Amidst the crowd, he spotted a face. One that he knew well. The color drained from his face as he saw the state it was in. One half of his entire face and body was stained red. He ran to meet him, shouting, screaming that he was here, he could help, but before he could reach, the body was engulfed in a wave of other bodies, obscured, and ceased to be an entity. What was no longer visible no longer existed.

And now their eyes turned on him. In the excitement, the heat of the motion, the passion of being in furious motion, the crowd behaved as a single organism, and he was the odd one out. Missiles showered on him like rain, coming from all directions, heedless of what should happen if it hit anybody else. He ducked, and they whistled harmlessly overhead. He ran aimlessly through the crowd, throwing it into disarray, using whatever reflexes his quickly tiring body would permit him, getting dyed red in the process. Some of it his own, the rest from the people around him. He felt a tugging presence near his waist. He turned back, and to his horror, saw that it was a woman. His code, even in such times, prevented him from any action against the fairer sex. He desperately tried twisting away, but to no avail. With a crazed look in her eyes, she pressed the lever of her instrument, a spray of liquid burst out, red as the setting sun, the moment it embedded itself against his skin. Apparently satisfied, she trundled away, looking for her next victim.

Someone, caught him as he staggered forward, a complete stranger in a sea of chaos, a holy crusade, where it did not matter on what side you were on, as long as you wore the robe of colours that the field bestowed on all of the indulging parties. He was released, and staggered forward, a red handprint on his torso the only remnant of the chance encounter. He did not even remember the face. 

He struggled on, his body performing the motions required of him mechanically, twisting, turning, throwing, dodging, as soon, he resembled anyone else in the crowd. His foot slipped in a puddle of red liquid, and he fell, peacefully exempted from all further activity. It was a holy, holey, holie, holi, day.

Interview - Amit Dasani

Composers Amit Dasani (right) and Suhit Chirutapudi (left)
Amit and Suhit are Hyderabad based music composers who have given music to many a short films and theatre plays. Shy, humble and immensely talented, Amit Dasani opens up to LTGTR about his theatre stint and how it all started.



Q. Has music always been a passion for you?
A. Yes! I think music has always fascinated me. Even when I was little, to just put on headphones and get totally absorbed into the music was better than anything else!

Q.  Which instruments do you play?
A. When I decided that I wanted to learn music, I started off with the piano in school. Then after a few years I stopped that & picked up the tabla. A little bit of the guitar just to understand how it works and the same with the flute and now I am learning Hindustani classical from Mrs. Deepa Naha who has had a huge impact on my tracks. However, what really interests me is getting all the instruments together and composing.

Q. You were studying to become an engineer, how did theatre happen to you?
A. When I decided to take up the science, I didn’t get into it because that was what I wanted. I just decided to go with it because I wasn’t sure of what I wanted  :P . It was sometime in 11th that my friend from school, Natasha Chandra called me and asked me to help out with a production that she was a part of and that’s how I started theater. It’s also how I met Suhit Chirutapudi , one of my closest friends now and also an equal partner in composing.  Since then, Suhit and I have been composing music for different groups.

Q. How did your parents react to your unconventional career choice?
A. They were and still are extremely supportive. It’s their unconditional support that makes me work harder and prove myself. 

Q. Tell us more about SIFAR, the theatre group you work for?
A. We (Suhit and I)  have worked with SIFAR on two productions so far - Sense and Park . During this time, we interacted with Feroze and Junaid from the group. It’s great fun working with them because they come up with interesting scripts and great ideas for the kind of music they want. There is always something different when you work with them! Also, they are brilliant at what they do! (Feroze directs and acts and Junaid works on the Lighting)

Q. Have you done anything else apart from music composing?
A. I started off by helping with the music in the first ever play that I was a part of. Then  Natasha, Suhit, I and a bunch of friends started “Ingenium” in 2008 and opened with” Lion King “ It was one of the first musicals to be staged here and we had a great response. I co-directed some of the Ingenium productions and also composed the music along with Suhit for these. I also directed a play for DPS Hyderabad, which was great fun!

Q. How do you balance your academics with theatre?
A. To be frank, my first priority is music and theater right now so if have a good project to work on, then that gets my full attention ;)

Q. Any other interests apart from music?
A. I am fascinated with all forms of art. I love photography and sketching too! I’m not that good at them but it’s fun!

Q. Any other upcoming projects?
A. Maybe in a few months. I have exams coming up :P

Q. How is the theatre scene in Hyderabad? How can the youth be more involved in it, in your opinion?
A. There are so many new theater groups in Hyderabad and while there are many well established theater personalities that offer class acts, there is a nice burst of energy with a lot of young groups putting up great performances. So all in all, the theater scene looks good!

Q. What do you think of the quality of today’s theatre and movies?
A. I think there is good variety of different kinds of plays and films out there now for different people and they all put in lots of hard work into it.

Q. Who is your inspiration? You are a huge Rahman fan, aren’t you?
A. Like I said, music in itself fascinates me and that is what drives me to get deeper into it and learn more. I am a HUGE fan of A R Rahman! He changed the face of Indian Film music!

Q. Will you try breaking into the Bollywood someday?
A. Still a loooong way to go :)

Q. Your advice to today’s youth on choosing a career?
Just follow what they like doing but back it up with a lot of effort 


 

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